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Hand Made Cultural Steel Coat and Key Holder - Kokopelli Serenade
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Kokopelli the flautist is borne from myth and legend; he travels far and wide playing melodious tunes inviting all to dance. Now he adorns this extraordinary coat rack, forged of iron by J. Blas, who uses a novel technique of his own design to cut the iron sheets. The rack is painted by hand with a blend of enamel and acrylic hues, infusing a rustic elegance.
Kokopelli dates back to pre-historic times; regarded as a deity, he is usually depicted with a humped back, playing a flute. Ancient legends suggest Kokopelli was a Toltec trader who traveled from central Mexico to the United States' southwestern deserts and mountains, where he is featured in the form of rock art dating thousands of years. Kokopelli played his flute to announce his arrival and according to Pueblo legends, he carried seeds, babies and blankets in his hump which he offered to the maidens he seduced.
To the Hopi, Kokopelli plays his flute to draw heat from the Earth and thus make the seeds grow. His name derives from Koko ('wood') and pilau ('hump'). Kokopelli is believed to be present whenever life comes forth from seed – plant or animal.
- Iron
- 0.78 lbs
- 11.8 inches H x 18 inches W x 3.5 inches D
THE STORY BEHIND THE PRODUCT
Artisan Organization: J. Blas
Country: Mexico
"Hello. My name is J. Blas. From the time I was small, I've enjoyed arts and crafts. I loved to dig and prepare clay to make my own pieces and, from that time on, I began to experiment with ceramics. When I was 17, I started my own ceramic workshop because I hate to ask anyone for work – I feel shy and ashamed. Due to my lack of experience, I had to shut it down and went to work in other studios as well as in a ceramics museum, where I learned everything – from how to look for clay to crafting techniques.
"Over time, I learned more and more and became aware of the critical stages that clay has, and where it is good to depend on other people to work it perfectly. And so I changed directions and began to work in wrought iron and blown glass. When things began to get better, I started to experiment with sheets of iron of different weights to give my works more movement.
"Currently I again have my own workshop where we craft a variety of designs, mostly decorative. We cut the metal sheets and hammer them into shape. Then we weld them and add the details. For a clean appearance, we submerge them in an acid bath to remove grease and carbon. After that, they are treated to retard rust before we paint them with special, lead-free paint.
"We are the first workshop in the area to utilize molds as a work tool and to give more originality to our products. Every piece from my shop goes hand-in-hand with originality, design and quality. We are always developing new designs and products.
"I became acquainted with Novica in the early days and you could say I've watched your grand evolution and transformation.
"Since 2003, I've worked with you with a series of designs that has grown in ways we never imagined.
"In the beginning, my greatest challenge was organizing the work and assuring its quality. My workshop has grown to occupy a larger property that has let us improve the crafting process.
"At first, I found it difficult to work in a different way but, without it, this would be chaos. Organizing our work has been the trampoline for a great leap forward in improving the quality of our work and letting us place a special focus on each design.
"I believe your suggestions from the very beginning helped us polish our passions and achieve better results. You've helped me see the importance of good training for each of the people who assist me.
"We learned to invite our assistants to participate in all the projects where we take part, and they, in turn, have brought their passion, responsibility, happiness and commitment to all we do.
"We're very grateful to all of you.""
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