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Block Printed White Cotton Top with Light Blue Stripe Detail - Waves of Blue
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The appealing wave pattern of this lovely high-low ladies' top by Ritu Agnihotri of India brings forth a cool appeal. The milk-white cotton blouse is block printed by hand with vertical wavy Caribbean blue lines and features a round neckline and short sleeves. Perfect for summer, the hem is shorter in the front and longer in the back, making it effortless to pair with skirts, shorts, or pants.
- 100% cotton
- 0.10 lbs
- S: 26 inches Length (from high-point shoulder) x 40 inches Bust/chest x 6.3 inches Sleeve (center neck to cuff)
- M: 26.5 inches Length (from high-point shoulder) x 41 inches Bust/chest x 6.5 inches Sleeve (center neck to cuff)
- L: 27 inches Length (from high-point shoulder) x 43 inches Bust/chest x 6.8 inches Sleeve (center neck to cuff)
- XL: 27.5 inches Length (from high-point shoulder) x 46 inches Bust/chest x 7.3 inches Sleeve (center neck to cuff)
- XXL: 28 inches Length (from high-point shoulder) x 50 inches Bust/chest x 7.8 inches Sleeve (center neck to cuff)
THE STORY BEHIND THE PRODUCT

Artisan Organization: Ritu Agnihotri
Country: India
I'm Ritu Agnihotri, and to me, to have the ability to create is something I treasure dearly. I so enjoyed the drawing classes I used to take during my free time. I would sit quietly making my own sketches and paintings.
I was born on September 6, 1961, which makes me part of a generation when fashion design was new to India. You could say I was one of the pioneers in fashion design, and what a struggle it was at the time! After graduating from the National Institute of Design in Ahmedabad, Gujarat, I pursued my dreams with earnest. Now I specialize in textile design featuring a blend of embroidered work with strong print lines.
"What I enjoy doing most are textured prints, which are not the regular flat prints you find in the markets. I use traditional motifs from different regions in India, but I make them slightly different. It's not contrived, as I intentionally avoid drawing it out too perfectly.
"When I exhibited my designs in Calcutta, all who came appreciated what they saw. Through their comments I was aware they could tell my designs are somewhat different from what they usually see in the market. I also had an exhibition in Kenya with my prints and embroideries, and I realized I felt a connection with the rustic prints they make there. I am familiar with historic patterns, and believe the vibrant compositions in their woven baskets and fabrics can be related to the way we Indians use our colors.
"Just like I connect with the past, I have a deep bond with the prints I make, which are all done with linoleum cuts. I make the designs on a rubber plate and etch out my patterns, then take a paper impression. During those moments of creation, I am just quiet and at peace with everything around me, while inside I am vibrant with energy that gets transferred into my designs. It's an incredible exploratory moment. All the prints you see come from my initial explorations, which I transform into something you can relate to.
"I've made my prints and designed my clothes with a lot of passion and delight; I hope you enjoy wearing them.""